Xavania Original · Commercial

Halo Roast

94% match2026TV-G15sHDR · 4K5.1 + Binaural

Fifteen seconds of morning, poured slow.

A premium coffee spot: golden window light, a slow pour, warm grain, and three cutdowns sharing one locked grade.

Open in Cinema Stage

Cast & digital humans

Rhea Lindqvist
Lead
@rhea10-1

On screen: passenger by the window

Voice print: low gravel, chest-forward

SoulPrint Pro · face, eyes, hair, hands, wardrobe, voice locked

Nadia Renn
Supporting
@nadia10-2

On screen: conductor in the aisle

Voice print: clear tenor, period-accurate diction

SoulPrint Pro · face, eyes, hair, hands, wardrobe, voice locked

Lior Duval
Supporting
@lior10-3

On screen: sleeping traveller opposite

Voice print: soft contralto, intimate proximity

SoulPrint Pro · face, eyes, hair, hands, wardrobe, voice locked

Sound design — every person, action and object

Dialogue & voice
  • Rhea LindqvistTrailer VO pass — recorded on the same voice print used in every generated take.
    Close lav + boom blend, dialogue seated at -23 LUFS
  • Nadia RennTwo on-camera lines, lip-sync verified frame-by-frame against the render.
    Boom only, room-matched IR
Foley — frame-matched to the render
Aisle footsteps
Boot on carpeted board with a hollow subfloor, each step slightly off-balance to match the carriage sway
Bogie and rail joints
Clack pattern timed to the visible sleeper-blur rate — four-beat cadence, with a longer gap over the visible switch
Carriage sway
Body creak from the coach frame, panned left-right in phase with the on-screen roll
Brass latch
Cold-metal thumb-lever snap and spring return, one per visible hand action
Teacup
Rattle in the saucer only while the coach is rolling; goes still when the frame steadies
Wool coat
Dry period-wool rustle, no synthetic sheen, on every arm and shoulder move
Ambience beds
  • Wheel roar under the floor, low-passed and constant
  • Wind at the window seal, rising on the visible tunnel approach
  • Distant carriage chatter through two doors
Score

Solo cello and brushed timpani in amber; motif enters on the reverse angle, never over the latch

Mix
  • 5.1 and binaural stereo folds from one bed
  • Dialogue -23 LUFS, trailer master -14 LUFS, true peak -1 dBTP
  • Every foley element is placed from the object's on-screen position and follows it as the camera moves
  • No library loops on visible actions — each hit is cut to the frame it happens on

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