Neon Courier
A rain-slick delivery run turns into a citywide manhunt.
Vale rides for the only courier house that still moves physical cargo. One sealed case, six districts, and every syndicate in the rain wants what is inside.
Cast & digital humans
On screen: hero in wet longcoat
Voice print: soft contralto, intimate proximity
SoulPrint Pro · face, eyes, hair, hands, wardrobe, voice locked
On screen: passing courier on a hover bike
Voice print: warm alto, close-mic, minimal air
SoulPrint Pro · face, eyes, hair, hands, wardrobe, voice locked
On screen: silhouetted crowd under awnings
Voice print: dry baritone, tight room, no reverb
SoulPrint Pro · face, eyes, hair, hands, wardrobe, voice locked
Sound design — every person, action and object
- Rhea Sol — Trailer VO pass — recorded on the same voice print used in every generated take.Close lav + boom blend, dialogue seated at -23 LUFS
- Yusuf Bell — Two on-camera lines, lip-sync verified frame-by-frame against the render.Boom only, room-matched IR
- • Continuous rain bed on wet stone, mid-density
- • Distant six-lane traffic hiss, low-passed by the alley walls
- • Transformer hum from the block substation
- • Muffled club sub two floors up, felt more than heard
Analog synth pad in D minor, magenta-cold; sub pulse locked to 74 BPM so the push-in lands on a downbeat
Mix- • 5.1 and binaural stereo folds from one bed
- • Dialogue -23 LUFS, trailer master -14 LUFS, true peak -1 dBTP
- • Every foley element is placed from the object's on-screen position and follows it as the camera moves
- • No library loops on visible actions — each hit is cut to the frame it happens on
