Xavania Original · Series

Ghost Frequency

88% match2026TV-MA8 EpisodesHDR · 4K5.1 + Binaural

A station broadcasts to people who are not alive yet.

Night DJ Ari Vance finds a frequency playing listener call-ins recorded years in the future — all of them describing their own deaths.

Cast & digital humans

Rhea Halvard
Lead
@rhea-hal

On screen: night DJ at the desk

Voice print: smoky contralto, broadcast-compressed

SoulPrint Pro · face, eyes, hair, hands, wardrobe and voice locked across every take

Nadia Osei
Supporting
@nadia-ose

On screen: caller on the line

Voice print: thin, telephone-band, future-dated

SoulPrint Pro · face, wardrobe and voice print locked; blocking free

Berit Reyes
Supporting
@berit-rey

On screen: engineer in the next room

Voice print: muffled through glass

SoulPrint Pro · face, wardrobe and voice print locked; blocking free

Sound design — every person, action and object

Dialogue & voice
  • Rhea Halvard — You're calling from a night that hasn't happened.
    Broadcast chain, 3:1 compression, -23 LUFS
  • Nadia Osei — I'm describing the room I die in.
    Telephone band 300Hz-3.4kHz with line noise
Foley — frame-matched to the render
On-air lamp
Relay clack and a filament rise as it lights
VU meters
Needle bounce with mechanical damping, following the actual level
Reel-to-reel
Capstan wow, tape hiss and a splice tick at the exact visible splice
Phone line
Off-hook pop, crossed-line bleed under the caller
Desk chair
Gas-lift release as she sinks back
Ambience beds
  • • Studio dead room, RT60 0.18s
  • • Transmitter hum through the wall
  • • Rain on the roof deck
  • • Faint carrier tone under everything
Score

Detuned tape-loop pads that degrade generation by generation across the episode

Mix
  • • 5.1 and binaural stereo folds rendered from one bed
  • • Dialogue -23 LUFS, trailer master -14 LUFS, true peak -1 dBTP
  • • Every element is placed from its on-screen position and tracked as the camera moves
  • • Caller audio is convolved with the room she describes, not the room she's in
  • • No library loops on visible actions — each hit is cut to the frame it happens on

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