Xavania Original · Feature
Director's Cut
95% match2026R2h 12mHDR · 4K5.1 + Binaural
The version nobody was supposed to see.
A restored print of a lost film contains twenty minutes of footage that implicates its own crew.
Cast & digital humans
Emeric Ferreira
Lead@emeric-fer
On screen: archivist at the bench
Voice print: quiet contralto, close
SoulPrint Pro · face, eyes, hair, hands, wardrobe and voice locked across every take
Tamsin Reyes
Supporting@tamsin-rey
On screen: the surviving crew member
Voice print: old, breath-heavy baritone
SoulPrint Pro · face, wardrobe and voice print locked; blocking free
Yusuf Okonkwo
Supporting@yusuf-oko
On screen: lab technician
Voice print: matter-of-fact tenor
SoulPrint Pro · face, wardrobe and voice print locked; blocking free
Sound design — every person, action and object
Dialogue & voice
- Emeric Ferreira — Twenty minutes nobody signed off on.Bench cardioid, -23 LUFS
- Tamsin Reyes — We shot it. We just never expected it to come back.Close lav, slow speech, breath intact
Foley — frame-matched to the render
Nitrate reel
Film edge on the rewind arm with a flange squeak, sped and slowed by hand
Splicer
Blade guillotine and a tape press, cut to the frame
Projection port
Glass slide with a booth-noise change
Restoration monitor
Relay clack on each grade change
Cotton gloves
Fabric on film, soft and constant
Ambience beds
- • Archive bay with heavy acoustic treatment
- • Chilled storage plant behind the wall
- • Rewind bench motor
- • Booth projector through the port
Score
Period orchestral cue restored from the print, degrading and then repairing across the film
Mix- • 5.1 and binaural stereo folds rendered from one bed
- • Dialogue -23 LUFS, trailer master -14 LUFS, true peak -1 dBTP
- • Every element is placed from its on-screen position and tracked as the camera moves
- • The restored 20 minutes arrive with modern full-band audio against the film's own 1940s optical-track emulation
- • No library loops on visible actions — each hit is cut to the frame it happens on
