Xavania Original · Limited Series

Auteur

93% match2026TV-MA5 EpisodesHDR · 4K5.1 + Binaural

The most acclaimed director of the decade does not exist.

A studio invents a reclusive genius to sell a slate of films, then loses control when the invented director starts delivering better work than its writers.

Cast & digital humans

Mara Iyer
Lead
@mara-iye

On screen: studio head in the front row

Voice print: smooth predatory baritone

SoulPrint Pro · face, eyes, hair, hands, wardrobe and voice locked across every take

Mira Andric
Supporting
@mira-and

On screen: the writer standing at the back

Voice print: tight alto

SoulPrint Pro · face, wardrobe and voice print locked; blocking free

Soren Lindqvist
Supporting
@soren-lin

On screen: publicist on the phone

Voice print: fast, bright tenor

SoulPrint Pro · face, wardrobe and voice print locked; blocking free

Sound design — every person, action and object

Dialogue & voice
  • Mara Iyer — He doesn't exist. His last three films do.
    Screening-room boom, 0.6s RT60, -23 LUFS
  • Mira Andric — Then who just delivered a better third act than mine?
    Close lav, seat cloth controlled
Foley — frame-matched to the render
Projector
Intermittent movement clatter at 24fps with a shutter whir, from the booth position
Velvet seat
Sprung seat-back release with a dust-heavy thump
Contract
Page flick and a pen scratch on signature
Empty chair
A single creak, unmotivated, held in the mix
Door
Booth door with an acoustic seal and a corridor bleed
Ambience beds
  • • Screening room, heavily treated
  • • Projector booth bleed through the port glass
  • • Air conditioning behind the screen
  • • Lot traffic, very distant
Score

Ironic lush strings that keep resolving too neatly, undercut by an out-of-tune piano note

Mix
  • • 5.1 and binaural stereo folds rendered from one bed
  • • Dialogue -23 LUFS, trailer master -14 LUFS, true peak -1 dBTP
  • • Every element is placed from its on-screen position and tracked as the camera moves
  • • The projector runs at true 24fps and is phase-locked to the picture cut, not free-running
  • • No library loops on visible actions — each hit is cut to the frame it happens on

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