Xavania Original · Feature
Harbor of Ash
95% match2026R2h 04mHDR · 4K5.1 + Binaural
Every crate that leaves this dock has two manifests.
A harbourmaster who has quietly signed off on forty years of contraband is given one last shipment to clear — and this one has her daughter's name on the paperwork.
Cast & digital humans
Isabet Nyland
Lead@isabet-nyl
On screen: harbourmaster on the quay
Voice print: gravel contralto, weather-worn
SoulPrint Pro · face, eyes, hair, hands, wardrobe and voice locked across every take
Aurel Sancho
Supporting@aurel-san
On screen: the buyer under the crane
Voice print: smooth baritone, unhurried
SoulPrint Pro · face, wardrobe and voice print locked; blocking free
Petra Okonkwo
Supporting@petra-oko
On screen: stevedore at the brazier
Voice print: thick working tenor
SoulPrint Pro · face, wardrobe and voice print locked; blocking free
Sound design — every person, action and object
Dialogue & voice
- Isabet Nyland — Everything that leaves this dock leaves twice. Once on paper.Open-air boom with dock slap-back, -23 LUFS
- Aurel Sancho — Then burn the paper and I'll take the second one.Close lav under an oilskin
Foley — frame-matched to the render
Mooring rope
Wet hemp under load with a bollard creak, tension tied to the swell
Crane hook
Steel swing with a chain-hoist ratchet, doppler on the pass
Shipping seal
Wire twist and a lead crimp, cut to the pliers
Brazier
Wet timber spit with a wind-driven flare
Water
Harbour swell against pilings, period matched to the boat's visible roll
Ambience beds
- • Harbour swell against concrete
- • Rain on steel container roofs
- • Gull calls, sparse and distant
- • Ship engine idling across the basin
Score
Bass clarinet and a struck steel plate, both slowed to the tempo of the swell
Mix- • 5.1 and binaural stereo folds rendered from one bed
- • Dialogue -23 LUFS, trailer master -14 LUFS, true peak -1 dBTP
- • Every element is placed from its on-screen position and tracked as the camera moves
- • Swell, rope creak and boat roll all follow one shared motion curve driven by the picture
- • No library loops on visible actions — each hit is cut to the frame it happens on
