Xavania Original · Feature
Static Garden
91% match2026PG1h 39mHDR · 4K5.1 + Binaural
The plants are growing toward the transmitter, not the sun.
A rooftop botanist and the engineer maintaining the mast above her greenhouse discover that thirty years of broadcast has been quietly rewriting what grows underneath it.
Cast & digital humans
Ilse Moreau
Lead@ilse-mor
On screen: the botanist among the trays
Voice print: soft alto, greenhouse-bright
SoulPrint Pro · face, eyes, hair, hands, wardrobe and voice locked across every take
Bram Osei
Supporting@bram-ose
On screen: the radio engineer on the roof
Voice print: dry tenor with wind
SoulPrint Pro · face, wardrobe and voice print locked; blocking free
Yara Feld
Supporting@yara-fel
On screen: the plants
Voice print: no dialogue, growth sonified
SoulPrint Pro · face, wardrobe and voice print locked; blocking free
Sound design — every person, action and object
Dialogue & voice
- Ilse Moreau — They grow toward the transmitter, not the sun.Greenhouse IR, glassy and bright, -23 LUFS
- Bram Osei — Then the transmitter is telling them something.Open roof, wind-screened
Foley — frame-matched to the render
Glass panes
Pane-by-pane resonance in the storm gusts, each a different note
Seed tray
Wet soil press with a plastic tray flex
Watering can
Rose-head spray onto leaves and then onto soil, two distinct textures
Antenna array
Guy-wire hum rising with wind speed
Moss
Damp compression underfoot, almost silent
Ambience beds
- • Greenhouse interior, bright and reflective
- • Rain on glass overhead
- • RF interference as a tonal bed
- • Wind at the roof edge
Score
Modular synth patched from live RF noise, filtered into a warm major key
Mix- • 5.1 and binaural stereo folds rendered from one bed
- • Dialogue -23 LUFS, trailer master -14 LUFS, true peak -1 dBTP
- • Every element is placed from its on-screen position and tracked as the camera moves
- • Every plant is a placed emitter — the orbit re-pans thirty individual growth textures in real time
- • No library loops on visible actions — each hit is cut to the frame it happens on
